Duchamp was a member of the New York Dadaist movement in the late 1950s, operating within a larger, international movement, although European and American Dada movements differed slightly, especially in terms of subject matter and artistic goals. European Dada was a direct response to the horrors of WWI, and was thusly much graver, whereas the New York movement was less "serious."
source: wikipedia.org
Duchamp's artistic legacy is extensive and spans many artistic phases, but I wish to concentrate on his contribution and exploration in Dada, specifically his well-known and famous work, "Fountain," ca. 1917. In this work, Duchamp appropriates a latrine toilet, places it on a wall, and declares it art. However, this seemingly simple work actually helps illustrate the meaning of art: an idea and meaning applied to an object, rather than the object itself. Placed into a exhibitory context, this latrine becomes a piece of art, with an alternate meaning, and an alternate idea behind it. I wish to pursue a similar exploration, the expression of an idea through the morphed meaning of appropriated objects and images, through my first digital project.
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